Quick answer
To display a large screenprint like Creme Not Cream, use archival framing materials, avoid direct sunlight, and hang at eye level for the best visual impact.
Why framing matters for limited editions
Limited-edition screenprints like Mike Budai's Creme Not Cream are signed and numbered, which adds collectible value. Proper framing prevents fading, creasing, and damage from humidity or dust.
A standard poster frame may work for cheap prints, but for a numbered edition of 40, investing in UV-protective glass and acid-free mats preserves both the artwork and its long-term value.
Steps to display your large screenprint
- 1. Choose archival framing materials: Select a frame that fits the print's dimensions (measure first). Use UV-protective glass or acrylic to block fading, and acid-free mat board to prevent yellowing over time. Avoid cheap frames with acidic backing. Check that the mat is labeled 'acid-free' or 'archival'.
- 2. Mount the print without adhesive: Do not glue or tape the print directly to the backing. Instead, use archival photo corners or a hinging method with acid-free tape to let the paper expand and contract naturally. This prevents warping and damage if you ever want to reframe it. Never use regular tape or spray adhesive on the print surface.
- 3. Hang at eye level away from direct light: Position the center of the print about 57–60 inches from the floor (typical eye level). Avoid walls that get direct sunlight for more than an hour a day, and keep it away from radiators or humid areas like bathrooms. Use a level and two wall anchors rated for the frame's weight.
Product facts
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Creme Not Cream Screenprint by Mike Budai: This screenprint by artist Mike Budai is a limited-edition art object, printed on paper. Each piece is signed and numbered by the artist, making it a distinctive addition to any collection. Because it's a signed, numbered edition of 40, proper display techniques protect its collectible value and ensure the artwork stays in pristine condition.
Creme Not Cream Screenprint by Mike Budai
